There are a series of movies I've missed especially in the last year in theaters. One of those is what will be reviewed today: The Simpsons Movie. I had the chance to see it recently, and it is yet another film that has expectations built up over so many years (pretty much 20 at this point) that would be hard to exceed. Regardless of that, what follows is a fun experience.
The Simpsons is both a highly loved property and by now, grating on some tv watchers' nerves. This may be because after nearly two decades of shows, it's hard to be original and creative. The show does manage to come up with new stuff each week, though many times they are retreads of old material, and the main issue some come up with is that it just isn't as clever or funny as it used to be. Ironically, a few of the shows that followed the film's release seemed to reinvigorate the funny back into the show. The issue probably just stems from the fact that culture today has moved towards the Family Guy style of random humor instead of the family showcase that is the Simpsons. So while it has always been a big bankable show, what took so long to make a movie? Why do it now, when the show isn't quite as popular as it used to be, and how can it live up to the name?
The danger in making a movie based on a currently running TV show is that if it isn't good enough, it can nearly doom the show. For instance, the X-Files film didn't really do much to keep the series alive and it seemed the Beavis and Butthead film was, while entertaining, the last joke for that show as well. However, if you look at something like South Park: Bigger, Longer, and Uncut, the film not only was a big success, it brought it back into the spotlight and allowed it to become the 10 year long running juggernaut it is today. So what does the Simpsons movie do? Well it kind of falls in between. It many ways it plays like an extended episode, but also one of the funnier episodes in years. Probably the best thing about is the big screen feel it has, even just the enhanced sound and crisper picture give it that cinematic jolt.
Plot-wise, it's not all that deep but it has just enough to give it a movie-sized issue. Enough that Homer screws things up so bad that the entire town wants his head and the Simpson family is on the run from both them and the government. Of course it is seemingly impossible to think up a story that would be bigger than anything they've ever done, let alone trying to not copy South Park's huge war/hell scenario. Still, the scope is just big enough to feel like it's worth it and the characterizations are quite excellent.
The most important part of this film though? The jokes, no question and there are quite a few good ones. Some smack you over the head like the sight gags, others are subtle yet smart/cute (Bart saying "Oh my god" after having an amazing hot cocoa from Flanders that he at first refused), and others are repetitive yet hit everytime like the totally enjoyable Spider-Pig. The film never once drags, though the beginning and parts of the middle may seem more like side trips than part of the main story. At the very least, the climax is both fun and exciting to watch.
In all, The Simpsons Movie is for those that both enjoy the series and who might like to take at least one last trip with primetime television's most beloved American cartoon family. It's also a pretty good animated film in general, just don't expect the kind of mesmerizing stuff you'd get from a Pixar movie. So The Simpsons Movie grabs the Silver Medal of D'oh-nuts. Mmm, silver pastries. Put it on, lay back, and have a fun time.
Showing posts with label movie. Show all posts
Showing posts with label movie. Show all posts
Sunday, June 15, 2008
Saturday, June 14, 2008
SYC Reviews: Indiana Jones And The Kingdom Of The Crystal Skull
Hello fellow intrepid world travelers. It was a few weeks ago that I had the chance to see the 4th in the Indy series, yet another return of 80s brethren onto the 21st century screen. Finally, I have a little time to write up my review, so here goes nothing.
Let's get one thing straight, the anticipation of a film of this magnitude is incredibly difficult to live up to and as such makes it almost impossible to be as good as most fans would hope. Now with that in mind, we leap straight back into the world of Jones. Of course this time out, it's the 1950s, 1957 to be precise. We find our world weary hero at a "landmark" of sorts, where many relics are kept. Suffice to say that the Russians, our villains for this adventure or Nazi-lite as I refer to them, want Dr. Jones to find a clue that will lead them to the fabled Crystal Skull.
Eventually Indy escapes all this while surviving an almost ridiculous event, and yet by now we should expect this of our pulp hero. It occurs early on so you're either going to go with it or not. Either way, it will serve as yet another reminder that Ford is old now, and it's the 50s, so just keep that in mind. Just as Harrison is being accused of assisting the Red Menace, Mutt Williams shows up, aka Shia Lebouf, to get Dr. Jones' help. Seems a certain Professor Oxley (John Hurt) has been captured/gone missing. Of course this is all tied together as Oxley was looking for (and actually found) the Crystal Skull. Mutt and Indy get a quick little joyride through the school in a fun chase scene that gives Marcus Brody a chance to take down some Russians posthumously. Mutt is a near card-carrying Greaser, leather jacket and motorcycle at the ready, not to mention a trademark comb.
Together they travel down to South America, beginning the main part of the adventure that leads them in a race against the Russians for the city of gold itself: El Dorado. This is the Kingdom of the Crystal Skull, where when united with the other 12 skulls, um well, something will happen. I won't spoil if you haven't seen it by now, but suffice to say that KOTCS takes a certain departure from standard Indy fare. It does fall well in line with the times it takes place in, but it may leave a bad taste in the mouths of those who love Raiders and Last Crusade. Anyway, enough of the plot, let's analyze the cast.
Harrison Ford IS Indiana Jones, it's as simple as that. Even at this age, he still evokes cool confidence, intelligence, and whip-crack (pardon the pun) smarts. Shia isn't too bad as Mutt, but when we find out who he really is, well that will either have some questioning if it's a good idea or if he's capable of the role. Still I think he does a fine job, just not exceptional or anything. Karen Allen returns as Marion Ravenwood, and while she clearly looks older in that "whoa haven't seen you in like 20 something years" look, she almost looks like she's having too much fun in the movie. Hey I would too, but little seems to bother her and she has at least a half-smile through almost all her screen time. Hurt is fine as Oxley, a professor gone cuckoo by the Skull. Cate Blanchett is our villain, Irina, leader of the Russian group. You almost don't recognize her and I enjoyed her sword fighting and playful accent. As always, the Indy villain bites off more than they can chew and Indy knows when to call it quits before they do.
The joy of the film comes not so much from the story, but from the characterizations we've come to love. The book and fist smarts, the sense of adventure and witty one-liners, the crazy chase/fight scenes, creepy creatures, and of course snakes, which probably evoke the funniest joke in the film. There are bits that may either go too far or be too ridiculous, but that is up to the beholder. Personally, I found an enjoyable little romp back through the best adventure character I've ever known.
With all that said, Indiana Jones and the Kingdom of the Crystal Skull gets a deserved Silver Medal of Part-time Archeology. To me, the film cannot live up to the original Raiders of the Lost Ark or my personal favorite, Last Crusade. It is however, still more fun than Temple of Doom, and should get at least one chance to see it in theaters. Just hearing that famous Raiders March and seeing Ford in the hat once again is nearly enough.
Let's get one thing straight, the anticipation of a film of this magnitude is incredibly difficult to live up to and as such makes it almost impossible to be as good as most fans would hope. Now with that in mind, we leap straight back into the world of Jones. Of course this time out, it's the 1950s, 1957 to be precise. We find our world weary hero at a "landmark" of sorts, where many relics are kept. Suffice to say that the Russians, our villains for this adventure or Nazi-lite as I refer to them, want Dr. Jones to find a clue that will lead them to the fabled Crystal Skull.
Eventually Indy escapes all this while surviving an almost ridiculous event, and yet by now we should expect this of our pulp hero. It occurs early on so you're either going to go with it or not. Either way, it will serve as yet another reminder that Ford is old now, and it's the 50s, so just keep that in mind. Just as Harrison is being accused of assisting the Red Menace, Mutt Williams shows up, aka Shia Lebouf, to get Dr. Jones' help. Seems a certain Professor Oxley (John Hurt) has been captured/gone missing. Of course this is all tied together as Oxley was looking for (and actually found) the Crystal Skull. Mutt and Indy get a quick little joyride through the school in a fun chase scene that gives Marcus Brody a chance to take down some Russians posthumously. Mutt is a near card-carrying Greaser, leather jacket and motorcycle at the ready, not to mention a trademark comb.
Together they travel down to South America, beginning the main part of the adventure that leads them in a race against the Russians for the city of gold itself: El Dorado. This is the Kingdom of the Crystal Skull, where when united with the other 12 skulls, um well, something will happen. I won't spoil if you haven't seen it by now, but suffice to say that KOTCS takes a certain departure from standard Indy fare. It does fall well in line with the times it takes place in, but it may leave a bad taste in the mouths of those who love Raiders and Last Crusade. Anyway, enough of the plot, let's analyze the cast.
Harrison Ford IS Indiana Jones, it's as simple as that. Even at this age, he still evokes cool confidence, intelligence, and whip-crack (pardon the pun) smarts. Shia isn't too bad as Mutt, but when we find out who he really is, well that will either have some questioning if it's a good idea or if he's capable of the role. Still I think he does a fine job, just not exceptional or anything. Karen Allen returns as Marion Ravenwood, and while she clearly looks older in that "whoa haven't seen you in like 20 something years" look, she almost looks like she's having too much fun in the movie. Hey I would too, but little seems to bother her and she has at least a half-smile through almost all her screen time. Hurt is fine as Oxley, a professor gone cuckoo by the Skull. Cate Blanchett is our villain, Irina, leader of the Russian group. You almost don't recognize her and I enjoyed her sword fighting and playful accent. As always, the Indy villain bites off more than they can chew and Indy knows when to call it quits before they do.
The joy of the film comes not so much from the story, but from the characterizations we've come to love. The book and fist smarts, the sense of adventure and witty one-liners, the crazy chase/fight scenes, creepy creatures, and of course snakes, which probably evoke the funniest joke in the film. There are bits that may either go too far or be too ridiculous, but that is up to the beholder. Personally, I found an enjoyable little romp back through the best adventure character I've ever known.
With all that said, Indiana Jones and the Kingdom of the Crystal Skull gets a deserved Silver Medal of Part-time Archeology. To me, the film cannot live up to the original Raiders of the Lost Ark or my personal favorite, Last Crusade. It is however, still more fun than Temple of Doom, and should get at least one chance to see it in theaters. Just hearing that famous Raiders March and seeing Ford in the hat once again is nearly enough.
Saturday, May 3, 2008
SYC Reviews: Iron Man
It has been a while since a new post has popped up here, but I'm motivated enough at this moment to make one. Why? Because I just got back from seeing the first big blockbuster of the 2008 summer movie season, Iron Man. That alone should get you to know where I'm going with this.
The first thing to note is that Iron Man is based off a comic book by Marvel, so we're talking superhero action film here. But hold on, it blends all this with smart writing and well placed and timed comedy. If you still need a good reason to see this movie, then here it is: Robert Downey, Jr. Downey simply IS Tony Stark, the protagonist who will become Iron Man. Tony is a weapons manufacturer and a bloody rich one at that. He's got it all and flaunts it without a second thought; Downey's Stark showcases his ego, his ignorance of those around him that care about him, and the eventual turn around when he realizes the impact his weapons are having on the world.
This film is at its heart, an origin story for Iron Man, which from the comics has been updated to Tony having to deal with a terrorist organization that has been using his own weapons to fight their war. It of course goes even deeper than that, but the real enemy is higher up in the food chain. The supporting cast begins with a great performance by Jeff Bridges as Obadiah Stane, Stark's co-controller of the company and the man who opposes Stark's change of heart about the business. He slides into this role with ease and never comes across as over the top, he has a means to an end one way or the other. Gwyneth Paltrow is also excellent as Pepper Potts, the Money Penny to Stark's Bond; she remains a likable character and a great playing off point for Stark. Lastly we have Terrance Howard as Jim Rhodes, who doesn't get to do too much but what he does is just fine.
So is this just an action film? No, but when there is action, it's fantastic. Special effects are unquestionably top notch and the armor just seems so darn cool and real. Fights are handled so well and you always love being reminded that a billionaire playboy is the one in the suit. When there isn't action, there's a good enough origin story going on and again, very nice comedy. Stark's robots/computer Jarvis alone provide more than enough fodder, let alone Stark's razor sharp wit.
This film just works on so many levels, as a very fun blockbuster, as a comic book origin story, as an action-comedy, and as a great character study. There's really very little more you can ask of this film, it is pulled off with deft aplomb and you will be hard pressed to leave the theater without feeling more than satisfied at the experience. Plus, for the comic book geeks out there, there are a few hints of things to come, and quite the geek out moment after the credits roll. Lastly, Stan Lee's cameo is his best yet, quick but hilarious.
I think it's quite clear by now that Iron Man takes home the Gold Medal of Shellheads. I highly recommend Jon Favreau's excellent directorial take on the character and Robert Downey, Jr.'s shining performance. A man you might hate in real life is truly a character you can love on the big screen. If the other summer movies can live up to this one, we're in for a hell of a ride this year. Simple as this: see Iron Man.
The first thing to note is that Iron Man is based off a comic book by Marvel, so we're talking superhero action film here. But hold on, it blends all this with smart writing and well placed and timed comedy. If you still need a good reason to see this movie, then here it is: Robert Downey, Jr. Downey simply IS Tony Stark, the protagonist who will become Iron Man. Tony is a weapons manufacturer and a bloody rich one at that. He's got it all and flaunts it without a second thought; Downey's Stark showcases his ego, his ignorance of those around him that care about him, and the eventual turn around when he realizes the impact his weapons are having on the world.
This film is at its heart, an origin story for Iron Man, which from the comics has been updated to Tony having to deal with a terrorist organization that has been using his own weapons to fight their war. It of course goes even deeper than that, but the real enemy is higher up in the food chain. The supporting cast begins with a great performance by Jeff Bridges as Obadiah Stane, Stark's co-controller of the company and the man who opposes Stark's change of heart about the business. He slides into this role with ease and never comes across as over the top, he has a means to an end one way or the other. Gwyneth Paltrow is also excellent as Pepper Potts, the Money Penny to Stark's Bond; she remains a likable character and a great playing off point for Stark. Lastly we have Terrance Howard as Jim Rhodes, who doesn't get to do too much but what he does is just fine.
So is this just an action film? No, but when there is action, it's fantastic. Special effects are unquestionably top notch and the armor just seems so darn cool and real. Fights are handled so well and you always love being reminded that a billionaire playboy is the one in the suit. When there isn't action, there's a good enough origin story going on and again, very nice comedy. Stark's robots/computer Jarvis alone provide more than enough fodder, let alone Stark's razor sharp wit.
This film just works on so many levels, as a very fun blockbuster, as a comic book origin story, as an action-comedy, and as a great character study. There's really very little more you can ask of this film, it is pulled off with deft aplomb and you will be hard pressed to leave the theater without feeling more than satisfied at the experience. Plus, for the comic book geeks out there, there are a few hints of things to come, and quite the geek out moment after the credits roll. Lastly, Stan Lee's cameo is his best yet, quick but hilarious.
I think it's quite clear by now that Iron Man takes home the Gold Medal of Shellheads. I highly recommend Jon Favreau's excellent directorial take on the character and Robert Downey, Jr.'s shining performance. A man you might hate in real life is truly a character you can love on the big screen. If the other summer movies can live up to this one, we're in for a hell of a ride this year. Simple as this: see Iron Man.
Saturday, December 29, 2007
SYC Reviews: Fantastic Four - Rise Of The Silver Surfer
Time for our next review and this time, it's Fantastic Four: Rise Of The Silver Surfer. This sequel finds us not long after the original film. Now I went into the original expecting very little and was surprised that it was mildly enjoyable. Not that I went into this one with greater expectations but I did expect some kind of improvement in this film. Instead it feels stuck in neutral and that this universe will continue to be the same kind of interpretation.
The early part of the film dealing with the F4 all acclimated to life and trying to get on with Sue and Reed's wedding tries way too hard to go for some comedy that is often miss. In fact the funniest moment might be when after Johnny has encountered the Surfer and has power switching problems, Sue gets his power and is screaming about being on fire through the window Reed is blankly staring at. This series continually tries to pander to families, not that it shouldn't be family oriented, but it has a hard time being just a little mature when necessary.
The plot is simple enough, the wedding is interrupted by the entrance of the Silver Surfer, whom Reed is trying to track as he makes disturbances around the world. And I do mean around the world, this film manages to take place in New York, China, Siberia, England, and even Latveria. Yes Latveria, where the previous villain Dr. Doom is magically brought back by the cosmic energy of the Surfer. Unfortunately his interpretation still lacks, especially the use of his normal, non-scary voice with the mask on. Eventually he joins forces with the four to bring down the Surfer who is working for "the destroyer". As every comic book fan knows, that's Galactus. Soon enough they manage to catch the Surfer, whose representation is actually handled pretty well, though I keep picturing Morpheus everytime he talks.
Suffice it to say that the best sequence in the film involves Doom's double cross, when he steals the Surfer's board (because the military helping them are complete fools) and goes on a rampage, chased by the four in the Fantasticar, a neat little sequence of special effects. The ending isn't all that thrilling since only the Surfer can stop Galactus and I won't complain about his appearance, it's moot at this point.
While the film does still manage to be entertaining and keep you watching throughout, perhaps what also held it back for me was that it reminded a little too much of X2, having the good and bad guys team up while also dealing with a military organization. F4 is clearly the most laid back of all the comic book adaptations, and while it is the most imaginative and fun book to base stuff off of, it doesn't quite translate that well to the big screen.
With that said, I'm willing to give it the Silver Medal of Surfing, because anything else just wouldn't be appropriate. Now Julian McMahon do us a favor and develop a real villain voice. I can only imagine how dumb Christian Bale would sound with his normal voice as Batman.
The early part of the film dealing with the F4 all acclimated to life and trying to get on with Sue and Reed's wedding tries way too hard to go for some comedy that is often miss. In fact the funniest moment might be when after Johnny has encountered the Surfer and has power switching problems, Sue gets his power and is screaming about being on fire through the window Reed is blankly staring at. This series continually tries to pander to families, not that it shouldn't be family oriented, but it has a hard time being just a little mature when necessary.
The plot is simple enough, the wedding is interrupted by the entrance of the Silver Surfer, whom Reed is trying to track as he makes disturbances around the world. And I do mean around the world, this film manages to take place in New York, China, Siberia, England, and even Latveria. Yes Latveria, where the previous villain Dr. Doom is magically brought back by the cosmic energy of the Surfer. Unfortunately his interpretation still lacks, especially the use of his normal, non-scary voice with the mask on. Eventually he joins forces with the four to bring down the Surfer who is working for "the destroyer". As every comic book fan knows, that's Galactus. Soon enough they manage to catch the Surfer, whose representation is actually handled pretty well, though I keep picturing Morpheus everytime he talks.
Suffice it to say that the best sequence in the film involves Doom's double cross, when he steals the Surfer's board (because the military helping them are complete fools) and goes on a rampage, chased by the four in the Fantasticar, a neat little sequence of special effects. The ending isn't all that thrilling since only the Surfer can stop Galactus and I won't complain about his appearance, it's moot at this point.
While the film does still manage to be entertaining and keep you watching throughout, perhaps what also held it back for me was that it reminded a little too much of X2, having the good and bad guys team up while also dealing with a military organization. F4 is clearly the most laid back of all the comic book adaptations, and while it is the most imaginative and fun book to base stuff off of, it doesn't quite translate that well to the big screen.
With that said, I'm willing to give it the Silver Medal of Surfing, because anything else just wouldn't be appropriate. Now Julian McMahon do us a favor and develop a real villain voice. I can only imagine how dumb Christian Bale would sound with his normal voice as Batman.
Labels:
Fantastic Four,
movie,
review,
Silver Surfer
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